Try to avoid the fun game that is paralysis-analysis and get out there and shoot and shoot and shoot. On a budget, go for used manual focus primes with an adapter. The big drawback is that closeups will be distorted. For news, events and documentary, one or two good zoom lenses will be quicker to use. Which is why I’m generally a fan of the widely used Canon EF lens mount. The technology behind the glass is incredibly impressive, and a high-quality 50mm lens won’t kill your budget. Lights But they are usually big, heavy, slow and need to be used on a tripod or monopod. Buy Tokina 11-16mm f/2.8: Amazon Sensors that are smaller than this are sometimes called crop sensors. One of my favorite directors, Jean-Luc Godard, used it to shoot the groundbreaking indie Breathless (1960) which took French film in a decidedly non-studio and innovative direction. Not because it’s not good. But often that’s a very good thing, as maybe you want your image to approximate film. Using pictures, sound, and sequences in your movie, Using the camera, light, position and movement, Film and edit so that your movie makes sense, Tips to make sure you get all the shots you need, Filming ‘rules’ to help viewers understand what’s going on, Essential principles for editing your clips together, Short movie structure, storytelling tips and story ideas, Introduction to equipment for low budget filmmaking, My starter kit for low budget filmmakers, documentary makers and citizen journalists, What you need to shoot good video with mobile devices, Learn filmmaking by editing a short movie. But it doesn’t work well if you want to pull (change) focus manually. Especially for the price. For more information click here. Panasonic user. I especially like the price! Less common is the telephoto or “long” lens in filmmaking. The Canon 70-200mm is that ubiquitous white lens you see on Canon DSLRs at sporting events — it’s especially prevalent at major events such as the Olympics or World Cup. A compact profile. Tack sharp, but also very cinematic — meaning the bokeh and out-of-focus areas look dreamy. However, Ridley Scott—especially on Blade Runner and Alien —used the 75mm long lens (and apparently the 50mm lens for certain shots) for cinematic shots. Don’t forget that old saying: you date your camera, but marry your Since we’re talking reasonably priced lenses here, I’d strongly consider the cine range from Rokinon. You could also get a wide to ultrawide zoom for close range, handheld shooting. More expensive, higher quality modern lenses are designed to minimise this. What’s the best lens for filmmaking with a DSLR, mirrorless or cinema camera? Nothing more, nothing less. There’s lots of web sites and YouTube videos that go into great detail on the process. If you’re interested in adding a lens to your iphone filmmakers kit, check out our Best Smartphone Lenses article. Once you have a few basic lenses in your bag, you may want to consider a proper “cinema” lens. So they’re getting slightly quirky. Good for: filmmaking, music videos, low light situations. (For compact cameras, it’s best to find out what the 35mm equivalent is.) Featuring a breadth of apertures, from f/1.8 to f/16, this versatile lens is one of the most popular go-to lenses for filmmakers seeking a … I have two quick lens recommendations for your GH5 to save you time: Now that you have a GH5 as well it might be a good time to pick up a lens to pair with the body. RED user. As an Amazon Associate I earn from qualifying purchases. Buy Voigtlander Nokton 25mm f/0.95: Amazon Good for: filmmaking, music videos. Buy Sigma 18-35mm f/1.8 ART: Amazon Composition. It’s not hard though. Here is Clinton Stark’s Top 10: Best lenses to consider for shooting video with your Panasonic Lumix GH5 camera.
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