The KMA (not to be confused with today’s KM A modular microphone system!) Neumann sound on stage – wireless! Neumann celebrates the anniversary of this studio legend with the U 87 Rhodium Edition – a spectacular creation that gives the U 87 an extra special look to celebrate its timeless achievement. The TLM 50 revived the unique capsule technology of the classic Neumann M 50 of the 1950s and combined it with a cutting edge transformerless head amplifier for lowest noise and distortion. The new studio workhorse. Bezahlen Sie vertraulich und sicher per Nachnahme, Kreditkarte, Vorauskasse, PayPal, Amazon Pay oder Sofortüberweisung. A Neumann U87 microphone In 1964 Neumann developed a small cardioid capsule with considerably improved off-axis linearity; it was used in the KM 64 and U 64 microphones. Its smooth yet defined character shaped the sound of the 70s. It was powered via T-power, P48 phantom power had not yet been invented. Automatic Monitor Alignment MA 1 MORE INFORMATION Headphone NDH 20 Monitoring, editing, mixing - In the studio, at home, on the road. In addition, the Neumann KU 100 is also often used for industrial applications, e.g. Neumann HQ is based in Berlin, where the company will celebrate its 90th anniversary in 2018. Search for: Neumann U47 Vs U87 Microphone Review. Its solid state amplifier could be battery powered and used with wireless transmitters of the day, such as the Sennheiser SK 1007. Early on, Neumann also developed measuring equipment such as this Level Recorder, which was able to draw frequency response curves on wax paper. Its even frequency response and consistent pickup pattern make it a sought-after microphone for all genres. The KMR 81 D complies to the AES 42 standard for digital microphones. Its unique acoustic properties are ideally suited to orchestral recordings. Designed as the bigger brother of the popular TLM 103, the TLM 127 offered additional functions such as pad and low cut and even remote controllable patterns using the patented technology Neumann had introduced ten years earlier with the TLM 170 R. Neumann sound on stage – wireless! The KM 75 was a cardioid microphone for short distances, e.g. Protect & clean your microphones especially for vocal and speech recordings. The successor to the SRM 64 long neck stage microphone. documenting and examining noise in automobiles or work places. 116 . The TLM 107 is a state-of-the-art large diaphragm microphone with high-definition sound in five directional patterns. Neumann’s first solid state microphone. This is the place where you will learn everything about sound recordings and the perfect selection for your home studio. The KM 85 was thus optimized for short distances as are typical in speech applications. The KM 183 is the successor to the classic KM 83 and can handle much higher SPLs, thanks to its transformerless output stage. Discover now. Neumann’s first handheld vocal microphone had an unusual shape, but it proved that clever engineering could render condenser microphones stage-ready. But instead of phantom power – which was not yet a studio standard – the U 77 operated on T-power. documenting and examining noise in automobiles or work places. The KMS 105 D is the digital version of Neumann’s supercardioid stage microphone KMS 105. The small diaphragm cardioid microphone KM 84 was built until 1992 and remains one of the most popular Neumann classics. The KMS 150 (hypercardioid) was the precursor to today’s very successful KMS 105. With the TLM 170 Neumann brought the first transformerless microphone onto the market. Its … Conceived as an affordable alternative to the venerable U 87, the TLM 103 has since become a modern studio standard. Its smooth and refined sound is as iconic as its elegant exterior design. By the early 70s Neumann’s tube microphone U 47 was legendary among seasoned engineers, and many wished for a direct solid state successor. Bargains by Neumann in Microphones . The KM 53 was a pressure transducer with an ultra-thin metal diaphragm. was an improved Lavalier microphone with an omnidirectional capsule and a detached amplifier. The first Neumann Headphone – A premium quality closed-back studio headphone for monitoring, editing, and mixing. The KM 143 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. Skip to content. A short shotgun microphone, primarily designed for film dialogue. Direct Metal Mastering (DMM) disk cutter with SX 82 disk writer and SAL82 writer drive logic. Neumann’s first dummy head microphone KU 80 was able to capture a realistic, three-dimensional sound image for headphone playback. Neumann’s second attempt at a stage microphone looked considerably more handsome than the KMS 85 introduced a few years earlier. This classic K 47 capsule, renowned for its unsurpassed sonic elegance, was also used in the Neumann U 47, the vocal mic of choice for Frank Sinatra, the Beatles, and scores of famous artists up to the present day. Neumann’s first microphone with a dynamic capsule. Like its predecessor, the TLM 67 is a workhorse with three polar patterns while its circuit produces tube-like saturation at high SPLs. Paired with a companion plug-in that visualises the direction and levels of sounds being picked up, you can ‘virtually’ adjust the axis of the microphone and even change mic models after tracking. Instead of cardiod and omni patterns the U 48 offered cardioid and figure-8. KH 120 D, a monitor of the Neumann KH Line with digital input module . Its functionally optimized design features an integrated pop screen and a shock protected large diaphragm condenser capsule. Diameter: 9 cm, height: 40 cm, weight: 3 kg. The KM 150 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. The M 147 Tube brings back the classic sound of Neumann’s famous tube microphones of the 1950s. The U 48 was a special variant of Neumann’s flagship studio microphone, the U 47. The Neumann U 87 is probably the best-known and most frequently used studio microphone the world over. Since 2010, Neumann offers this expertise in electro-acoustic transducer technologies to the studio monitoring market, and will provide optimum solutions to its customers in the areas of TV and radio broadcasting, recording, and audio productions. A Note to Students The KM 74 the successor to the KTM, Neumann’s first transistorized microphone. A slight boost in the low frequencies gives the plus version more “warmth” and “weight”. The spherical surface microphone KFM 100 had two omni capsules flush mounted in a sphere. Neumann will be offering free detailed online seminars on the basics of microphone technology. Simply tell Mic Mod EFX what microphone you’re using and what microphone you want it to emulate. The KM 83 was the omnidirectional model of the KM 80 series, which introduced a technology, which, due to its many advantages, soon became the new standard: P48 phantom power. In the early 70s people began to think beyond stereo. The KU 81 cured this with capsules equalized for the diffuse-field. The KMS 140 (cardioid) was the precursor to today’s very successful KMS 104. Perfectly suited for: MORE INFORMATION Studio Monitor KH 80 DSP The … The KM 85 was a cardioid microphone like the KM 84 but with a low cut built into the capsule to compensate for the proximity effect. The KM 76 was the solid state successor to the KM 66 small diaphragm tube microphone. The KM 120 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. Neumann’s first tube microphone after an almost 30-year-hiatus. High-resolution tri-amplified near-field monitor, optimized for midrange and a dry bass sound. Its capsule had a built-in low cut to compensate for the proximity effect. The KH 870 is a subwoofer with a High Precision Bass Manager™ for stereo and surround setups up to 7.1. Despite its small size, the KH 80 DSP achieves reference class sound. Although technically excellent, it never caught on. Liven your recordings with emulations of vintage mics from Neumann, Coles, and others plus modern boutique microphones. WS87 . It is also used for industrial applications. Switchable Studio Microphone (Mod. The KMF 4 i could operate on phantom power or batteries. Maybe the most popular Neumann microphone – A Legend. The KM 140 combines the KM 100 output stage with the cardioid capsule AK 40. A long neck stage microphone for speeches and presentations. The KM 131 combines the KM 100 output stage with the free-field equalized omni capsule AK 31.
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